Before the drapes and color palettes, I designed department-store visual displays, staged homes, styled clients in Anthropologie dressing rooms, coached people through thousands of calls, facilitated breathwork circles, and studied color theory, all while following my curiosity about what makes people feel most like themselves.
What I love most is getting to bring all of that experience into the color studio with me.
There's something magical about watching someone discover their colors. Not because they've been handed a new set of rules, but because they're starting to understand what works for them—and why. That's the part that never gets old.
Whether I was putting together a display, styling an outfit, or pulling together a room, I could instinctively tell when something worked. I just didn't have the language to explain it.
My own closet was a different story. It was bursting with color, pattern, and print, but somewhere along the way, getting dressed started feeling more complicated than it needed to be. I wanted fewer things, more ease, and a better understanding of what suited me.
Personal color analysis gave me a framework for what I'd been noticing intuitively for years: undertone, value, chroma, and contrast. Suddenly, there was language and structure behind the instinct.
It didn't replace my eye. It sharpened it.
And that's what I want to share with you. Not a list of colors you're allowed to wear, but the knowledge to make more confident choices, experiment, and have fun with color on your own terms.
Styling taught me to notice the details. Coaching taught me to ask better questions. Breathwork taught me the value of slowing down and paying attention.
Different disciplines, but the same curiosity underneath them all: what helps someone feel more like themselves?
That's what I bring into every color analysis session—a trained eye, genuine curiosity, and an experience that's as much about discovery and play as it is about finding your palette.